16,675 Royalty-Free Audio Tracks for "Audio Files Of Otello"

Chopin: I Koncert fortepianowy e-moll op. 11, nr 2. LarghettoChopin - Piano Concerto no. 1, Op. 11 (string quartet)-2. Romanze – Larghetto

Beethoven's Military March No. 1 in F, "Yorcksher". Conducted by Capt. Michelle A. Rakers.

Sequence "Victimae Paschali Laudes", traditionally attributed to Wipo of Burgundy. For text, see Victimae Paschali Laudes. For an image of a score (not the one I performed from) see this gif. Recorded using GarageBand with some reverb added. Normalised using Audacity. It is a single continuous take. Time: 1:49.

Prélude en Do dièse mineur de Sergueï Rachmaninov (Morceaux de fantaisie, op. 3) joué par Sergei Rachamninoff lui même

Danse Profane, L 103, pt. 2, performed by the United States Marine Chamber Orchestra with Major Jason K. Fettig, conducting, MSgt Karen Grimsey, harp soloist on Aug. 14, 2010, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Virginia. Claude Debussy. Danse Profane, L 103, pt. 2, interprétée par l'Orchestre de chambre des Marines des États-Unis avec le Major Jason K. Fettig, chef d'orchestre, MSgt Karen Grimsey, harpiste soliste, le 14 août 2010, au Rachel M. Schlesinger Concert Hall and Arts Center du Northern Virginia Community College à Alexandria, Virginie.

O frondens virga by Hildegard of Bingen, performed live. From Ordo Virtutum O frondens virga, In tua nobilitate stans, sicut aurora procedit. Nunc gaude et laetare et nos debiles dignare a mala consuetudine liberare, atque manum tuam porrige ad erigendum nos.

A chantar m'er de so qu'eu no volria, a 12th century Occitan language song by Comtessa de Dia. It is the only surviving music by a woman troubadour. Català: La seva cançó "A chantar m'er de so qu'eu no volria", és l'única peça trobadoresca d'autoria femenina la música de la qual sobreviu intacta. "A chantar m'er de so qu'eu no volria", ein Lied des 12. Jahrhunderts in okzitanischer Sprache von der Comtessa de Dia, ist die einzige überlieferte Melodie eines weiblichen Trobadors. "A chantar m'er de so qu'eu no volria", la única canción existente por una trovadora occitania que ha llegado hasta nuestros días con música, por Comtessa de Dia. Galego: A súa canción "A chantar m'er de so qu'eu no volria", é a única peza trobadoresca dunha muller que chegou até nos con a música que acompañaba. Македонски: „Морам да пејам за она што не сакам“ (A chantar m'er de so qu'eu no volria) - трубадурска песна на окситански јазик од XII век. Автор е грофицата Беатриса де Дија. Ова е единствената зачувана песна на жена-трубадур. Occitan : Sa cançon "A chantar m'er de so qu'eu no volria", es la sola peça trobadoresca d'una femna que se ne siá servada intacta la musica. Português: "A chantar m'er de so qu'eu no volria" por Comtessa de Dia, a única canção por uma trovadora, que sobrevive com música. "A chantar m'er de so qu'eu no volria" av Grevinnan de Dia är den enda sång skriven av en kvinnliga trobadourerna som idag finns bevarad med både text och musik.

Danse sacrée, L 103, pt. 1, written by w:Claude Debussy, performed by the United States Marine Chamber Orchestra with Major Jason K. Fettig, conducting, MSgt Karen Grimsey, harp soloist on Aug. 14, 2010, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Virginia. Македонски: Свештен танец (L 103), I дел од Клод Дебиси. Deux Danses pour harpe et orchestre, część 1. Danse sacrée L. 103/1 Claude’a Debussy’ego w wykonaniu Orkiestry Kameralnej Korpusu Piechoty Morskiej Stanów Zjednoczonych pod dyrekcją mjra Jasona K. Fettiga i st. sierż. Karen Grimsey solo na harfie. Claude Debussy. Danse sacrée, L 103, pt. 1, interprétée par l'Orchestre de chambre des Marines des États-Unis avec le Major Jason K. Fettig, chef d'orchestre, MSgt Karen Grimsey, harpe soliste le 14 août 2010, au Rachel M. Schlesinger Concert Hall and Arts Center du Northern Virginia Community College à Alexandria, Virginie.

Symphony No. 6 in F major (Op. 68) - 5th movement, composed by Ludwig van Beethoven. Symphonie Nr. 6 in F-Dur (Op. 68) - 5. Satz.

O Come, O Come Emmanuel performed by the Diplomats of the United States Air Force Band. Track 8 from Do You Hear What I Hear? (2002). Frank Pappajohn, conducting.

Canciones De Las Luminosas Trincheras De Combate

Himno Nacional de Uruguay National Anthem of Uruguay Национальный гимн Уругвая

Himno de Uruguay

Landeshymne des österreichischen Bundeslands Vorarlberg

Steirische Landeshymne

Folktune Norsk bokmål: Folkevise

فارسی: سرود رسمی حزب سومکاAnthem of SUMKA

Himno de Cajamarca

Эй, ухнем! - Фёдор Шаляпин

National anthem of Malaysia

Antonín Dvořák - Concerto for Violoncello and Orchestra in B minor, op. 104 - 2. Adagio ma non troppo (Pierre Fournier, George Szell, Berliner Philharmoniker, 1962)

Antonín Dvořák - Concerto for Violoncello and Orchestra in B minor, op. 104 - 3. Finale (Pierre Fournier, George Szell, Berliner Philharmoniker, 1962)

Maurice Ravel: Gaspard de la Nuit - Le Gibet

Miracle scale, derived from the secor (s = 116.72 cents), plus the difference between 10 secors and a perfect octave (q = 32.84 cents). MIDI pitch bend appears to match intervals. The Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s+q The difference between s and q (r) is used in the File:Blackjack scale.mid.

viio7 as dominant substitute.

MIDI file: "Northfield" (1800) by Jeremiah Ingalls (1764 – 1838)

Dufay - Missa cantus firmus, derived from Se la face ay pale.

Violoncello chord on G

C-F-B Synthetic chord

Nederlands: Gabriel Fauré (1845-1924): Après un Rêve, op. 7. Van Mutopia, publiek domein. De oorspronkelijke compositie is van Gabriel Fauré, die al meer dan 70 jaar overleden is, en het voor 1880 geschreven heeft. Voorzover er auteursrechten rusten op de bewerking tot midifile, heeft de auteursrechtenhouder het zelf in het PD geplaatst, zie de link op de bestandspagina en [1]

Berlioz Symphonie Fantastique finale, bars 1-4

Basse de Trompette pour orgue / Basse de Trompette for organ

J. S. Bach Cantata BWV140, orchestral introduction to the opening chorus

A piece from Johann Sebastian Bach's Goldberg Variations, released by the Open Goldberg Variations project.

Mahler Symphony 2 finale Fig 32, bars 4-10

Wolfgang Amadeus Mozart: Le Nozze di Figaro Ferenc Fricsay, RIAS-Symphonie-Orchester, Renato Capecchi, Irmgard Seefried, Dietrich Fischer-Dieskau, Maria Stader, Hertha Töpper

Wagner Meistersinger Vorspiel bars 158-161

Wolfgang Amadeus Mozart: Le Nozze di Figaro Ferenc Fricsay, RIAS-Symphonie-Orchester, Renato Capecchi, Irmgard Seefried, Dietrich Fischer-Dieskau, Maria Stader, Hertha Töpper

A piece from Johann Sebastian Bach's Goldberg Variations, released by the Open Goldberg Variations project.

Mussorgsky Gnomus original bars 19-24

A piece from Johann Sebastian Bach's Goldberg Variations, released by the Open Goldberg Variations project.

Mozart - Requiem (Krips) - IX. Domine Jesu

Wolfgang Amadeus Mozart: Le Nozze di Figaro Ferenc Fricsay, RIAS-Symphonie-Orchester, Renato Capecchi, Irmgard Seefried, Dietrich Fischer-Dieskau, Maria Stader, Hertha Töpper

Parsifal Prelude Opening

Wolfgang Amadeus Mozart: Le Nozze di Figaro Ferenc Fricsay, RIAS-Symphonie-Orchester, Renato Capecchi, Irmgard Seefried, Dietrich Fischer-Dieskau, Maria Stader, Hertha Töpper

A piece from Johann Sebastian Bach's Goldberg Variations, released by the Open Goldberg Variations project.

Dufay, "Mon chier amy"

Wolfgang Amadeus Mozart: Le Nozze di Figaro Ferenc Fricsay, RIAS-Symphonie-Orchester, Renato Capecchi, Irmgard Seefried, Dietrich Fischer-Dieskau, Maria Stader, Hertha Töpper

Wolfgang Amadeus Mozart: Le Nozze di Figaro Ferenc Fricsay, RIAS-Symphonie-Orchester, Renato Capecchi, Irmgard Seefried, Dietrich Fischer-Dieskau, Maria Stader, Hertha Töpper